One of the greatest strengths of rock songs is the lyrics. Since you have the music to back you up, you now have a platform where you can speak your mind and let out all the frustration you have with the world in song. You have plenty of opportunities every time you sit down to write the lyrics, but some of the best songs don’t need words to get you hooked.
Granted, it’s a little harder to write about a song that literally has nothing to say. Now that you only have the instrumentation to focus on, you really need to pay attention to how the rest of the band works with each other live. In most of these cases, however, it’s not just a few minutes of musical bending either.
The musicians behind these songs put a lot of thought and care into these tracks as they would with any other songs they’ve done, incorporating enough musical hooks into the song that would normally be reserved for vocals. Compared to the little instrumental bands used to kick off an album, these are the kind of standalone songs that could have been hits without the singer showing up. You can sing if you want, but you don’t have to worry about finding the words here.
Since the instrumentals don’t have any lyrics to rely on, you’ll have to focus on just one instrument. The melody has to come from somewhere, so you normally end up sinking with the guitarist or trying to find a keyboard line that sticks out of the mix. Towards the end of Moby Dick however, we had a virtual drum clinic given to us by the late Bonzo.
Compared to the rest of Led Zeppelin II, Moby Dick actually feels a bit ahead of its time, taking the sinister side of the blues one step further and crafting a riff that sounds like it might as well fit a record. from Rage Against the Machine. . It’s only for the first half of the song, however, until the rest of the band give up and John Bonham tears down his drum kit, opting for fast leads and technical fills that seem to be attributed to the sounds of the jazz rather than low and dirty. rock and roll.
From day one, Bonham has always been kind of a primal player, so the song kicks it up a notch during the back half of his solo, where he drops the sticks completely and just decides to hit the drums with nothing but its four members to keep the groove going. Even without the sticks to fall back on, there’s never a moment in this solo where it feels like it loses an ounce of power. The sticks were just an extension, but the strength behind it is something that comes from deep within your soul.